10 Seriously Twisted Movies From The '90s That Everyone Forgets About

The 1990s was a brilliant time for movies, and some of the best films of the decade pushed boundaries and were absolutely twisted pieces of cinema. With independent films on the rise, and Hollywood movies becoming more subversive, the ’90s was unlike any decade that came before or since.

Every genre was given new life as up-and-coming filmmakers cleverly reimagined what movies were supposed to look like. Many of the definitive movies from the ’90s reflect the disaffected mood of the era, with the rebellious Gen-X attitude coloring every creative decision. Even if the whole decade was edgy, some movies from the ’90s took things another step further.

Whether it’s horror movies with copious amounts of gruesome gore, or comedies that weren’t afraid to touch extremely taboo subjects, there were plenty of movies from the ’90s to shock and disgust. Unfortunately, the intentionally confrontational nature of these movies means they have largely been forgotten in the modern day.

10

Happiness (1998)

Perhaps The Darkest Comedy Of All Time

Happiness

Release Date: October 11, 1998
Runtime: 139 Minutes
Director: Todd Solondz
Writers: Todd Solondz

Director/writer Todd Solondz has earned a reputation as the master of dark comedy, and his 1998 film Happiness is still his magnum opus film. The ensemble story features a cast of characters each trying to find love and acceptance in a cruel world. Unfortunately, many of them are terrible people with devious urges that make them patently antisocial.

Happiness earned an NC-17 rating upon release.

Happiness is the kind of movie that needs to be seen to be believed, and Solondz goes places that no other filmmaker would ever dare. Ultra-taboo subjects are handled with the bleakest of laughs, and the movie is as disgusting as it is hilarious. Long before cringe comedy was invented, Happiness had audiences cringing with every new scene.

9

Serial Mom (1994)

The Master Of Cinematic Perversions Delivers Another Classic

Serial Mom

Release Date: April 13, 1994
Runtime: 94 Minutes
Director: John Waters
Writers: John Waters

By the 1990s, John Waters was already world-renowned for his edgy and intentionally gross comedies, but Serial Mom was something new for the filmmaker. Instead of focusing on counterculture like in classics such as Pink Flamingo, the film instead attacks stereotypical suburbia with hilarious results. Kathleen Turner is stellar as a stay-at-home mom who goes off the rails.

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Picking apart the stuffiness of suburban America, Waters combined his love for satire with his fascination with true crime. Though Serial Mom isn’t nearly as disgusting as other Waters films, it’s the subject matter that makes it so confrontational. As was the style at the time, the humor of 1990s dark comedy is aimed squarely at the “average” American family.

8

Freaked (1993)

Alex Winter’s Twisted Passion Project

Freaked

6/10

Release Date: September 11, 1993
Runtime: 80 Minutes
Director: Tom Stern, Alex Winter
Writers: Alex Winter, Tom Stern, Tim Burns

After starring in iconic movies like Lost Boys and Bill and Ted, Alex Winter was allowed to make a passion project, which became Freaked. The absurdist black comedy involves dangerous toxic chemicals, a nightmarish carnival, and boatloads of genetically-mutated freaks. The film was never destined to be a hit, and its subversiveness has made it a true cult classic.

Freaked is such an oddball experiment that could have only come out in the 1990s.

Lacking much of a narrative thrust, the film is instead of showcase of over-the-top makeup effects and plenty of gross-out humor. It’s not a perfect movie by any stretch of the imagination, but Freaked is such an oddball experiment that could have only come out in the 1990s. Modern re-releases have gotten the Alex Winter vehicle the attention it deserves.

7

Bad Boy Bubby (1993)

The Ultimate Australian Cult Film From The ’90s

Bad Boy Bubby

Release Date: September 1, 1993
Runtime: 114 minutes
Director: Rolf de Heer
Producers: Domenico Procacci

The United States wasn’t the only country producing truly subversive cinema in the 1990s, and Bad Boy Bubby is Australia’s addition to the genre of messed-up movies. The titular character is a man with a mental disability who finally escapes the captivity of his possessive and abusive mother, and is set loose in the world.

Bad Boy Bubby is like a checklist of things that are usually banned in so-called “respectable” cinema, but it also has a heartfelt narrative about acceptance and freedom. The gritty and low-budget production adds another layer of grime to the already disgusting story, and Bad Boy Bubby is a truly unhinged film from start to finish.

6

Tetsuo II: Body Hammer (1992)

Body Hammer Somehow Tops Its Predecessor

A man is submerged in a pool of dark liquid in Tetsuo II: Body Hammer

Tetsuo: The Iron Man was a shocking little piece of obscure Japanese cinema, but its sequel somehow managed to top the original in terms of head-scratching weirdness. Essentially a revenge story at heart, Tetsuo II: Body Hammer sees a man transform himself into a cybernetic monstrosity in order to take down the thugs that kidnapped his son.

Tesuo Movie	Release Year	Rotten Tomatoes Score
Tesuo: The Iron Man	1989	82%
Tetsuo II: Body Hammer	1992	62%
Tetsuo: The Bullet Man	2009	38%

A quintessential part of cyberpunk cinema, the sequel uses similar visuals to the original, but is in color, which allows for more gore. The melding of machine and man isn’t just frightening and gross, but downright strange at times. Body Hammer also explores the same themes as its predecessor, warning of the destructive path of revenge.

5

Delicatessen (1991)

The French Film Turns The Absurd Into Art

Delicatessen

Release Date: April 17, 1991
Runtime: 99 minutes
Director: Marc Caro
Writers: Gilles Adrien
Producers: Claudie Ossard

Marie-Laure Dougnac
Julie Clapet

Post-apocalyptic sci-fi horror black comedy is a description that can really only be applied to one movie, and that’s 1991’s Delicatessen. The French film is set in a strange apocalyptic world and centers on a butcher who uses his handymen as meat for his shop. The Sweeney Todd-like narrative is really just a backdrop for the movie’s absurdist vision.

The sets have a German Expressionist quality, and every detail is exaggerated and hyperstylized. While not as intentionally gross as other weird ’90s movies, Delicatessen has an unsettling, stomach-churning vibe that never leaves. Despite being gross, the movie is also quite beautiful as well.

4

Man Bites Dog (1992)

A Belgian Mockumentary With Real Bite

Man Bites Dog

Release Date: January 15, 1993
Runtime: 95 Minutes
Director: Rémy Belvaux, André Bonzel, Benoît Poelvoorde
Writers: Rémy Belvaux, André Bonzel, Benoît Poelvoorde

Jacqueline Poelvoorde-Pappaert
Remy
Hector Pappaert
Ben’s Mother

The mockumentary is typically used for strictly comedic purposes, but the Belgian film Man Bites Dog took a much darker turn. In a vicious satire of rising violence in media, the film concerns a documentary crew who chronicle the exploits of a serial killer and get roped into his nightmarish world of death and destruction.

Man Bites Dog has a lot to say about how trivialized violence has become in modern media. The film starts as a bleak but funny romp, but quickly devolves into a series of truly harrowing scenes that push the limits of taste. Man Bites Dog is so effective that it is sometimes difficult to discern what’s real and what’s fake.

3

Crash (1996)

David Cronenberg Outdid Himself With Crash

Crash

Release Date: March 20, 1997
Runtime: 112 minutes

Holly Hunter
Helen Remington
Deborah Kara Unger
Catherine Ballard

David Cronenberg’s movies are known for being disgusting displays of body horror, but Crash was unlike anything the filmmaker had made before. Adapting J.G. Ballard’s controversial novel, the movie is all about the boundaries of pleasure and pain, and follows people who are aroused by automobile collisions. With Crash, Cronenberg found a new wrinkle in body horror.

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There’s a bleak and fatalistic tone to the film, and the graphic depictions of grievous car crash injuries are enough to churn even the toughest stomach. Unlike other twisted ’90s movies which try so hard to be shocking or controversial, Crash is a classy film about a truly nightmarish concept.

2

Clean, Shaven (1993)

A Drama So Unflinching That It Is Hard To Look Away

Clean, Shaven

Release Date: September 5, 1993
Runtime: 79 minutes
Writers: Lodge Kerrigan
Producers: J. Dixon Byrne

Peter Greene
Peter Winter
Robert Albert
Jack McNally
Molly Castelloe
Melinda Frayne

Unlike other twisted ’90s films which try to shock using violence or taboo subjects, Clean, Shaven is so unflinchingly dramatic that it becomes an exercise in cinematic endurance. Director Lodge Kerrigan tells the story of a man suffering from schizophrenia, and the film graphically depicts the struggles and stigmas of the disease without resorting to outlandishness.

Clean, Shaven features a few moments that are effectively disgusting, but it is all in service of the narrative. The tragic arc of Peter Winter is choreographed from the start, and there is an unbearable suspense as everything plays out. The Canadian film is as sad as it is frightening, and that was the point Kerrigan was trying to make.

1

Gummo (1997)

Harmony Korine’s Movie Is So Real & Absolutely Gross

Gummo

Release Date: October 17, 1997
Runtime: 89 minutes
Director: Harmony Korine
Producers: Cary Woods, Ruth Vitale

Cast

Linda Manz
Solomon’s Mother

After penning the script for 1995’s Kids, Harmony Korine came into his own as a director with the release of Gummo. Set in a crumbling Midwestern town, the film is a loose tangle of interwoven stories involving a few of the people that live there in the wake of a destructive tornado.

The movie is shot a lot like a documentary, with long sequences playing out without any relief for the cringing audience. The realness is almost too much to bear as the movie alternates between disgusting and hilarious from scene to scene. Gummo is the perfect twisted ’90s movie because it aims to shock, and succeeds.

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Vishal Anand

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